Confession from someone who writes about video games: At. They allowed me to participate in something rather than passively watch and kept my stressed-out brain occupied.
Today? That no longer works.
It’s not entirely the fault of video games.
Like most people I know in this late pandemic stage, my nonprofessional life feels overly stressful. I’m exhausted and burned out. I haven’t slept more than three straight hours in months. In turn, I’ve come to dread the very idea of going to bed, and thus too often I’m somewhat tired, somewhat irritable.
A confluence of 2021 events has left me in a state of constantly feeling overwhelmed. I’m disconnected from family, my cat nearly died, an attempt to start a relationship devastated me when it went south, and while I want to play — to feel free and silly — the last thing I want to do is learn a piece of entertainment.
No systems, no hours collecting virtual gear to earn upgrades, no fantasy tales removed from real life. Modern blockbuster video games of late are tiring me out, relying on players possessing a deep language for the medium and still confusing length and complexity with artistry. Too many are built on the tedious concept of gathering supplies and magically turning them into weapons.
I haven’t abandoned games — I’ve even tried, which has helped. It’s simply that my mind, scarred from nearly two years of pandemic-induced trauma and loneliness, can only handle so many rules when it comes to a new game. Sadly, my default emotion these days is frustration.
I still believe that play can be a refuge. I’m thinking of the joy I felt with the light role-playing that was asked of me at many of. But here we are invited, often by the extended hand of an actual person, to step into a physical world and become our own protagonists.
I certainly love to play, as evidenced by the fact that. And on the subject of video games I restarted “Super Mario Odyssey,” the most brilliant game in the “Super Mario” series, and the one in which Mario and Peach deal with differing existential crisis. I’ve also enjoyed a melancholic and relaxing game about organizing a life that is one of my favorites of the year.
And I’ve been spending the last few weeks with a game that I think at long last reignited my love for interactive entertainment: “Pikmin Bloom.”
“Pikmin Bloom” is the latest augmented reality venture from Niantic, the team behind “Pokémon Go.” I can already see people rolling their eyes. “Pikmin Bloom,” after all, is a pedometer that’s barely a game. But there’s beauty and playfulness in its simplicity. “Pikmin Bloom” doesn’t demand our time so much as seek to enhance an activity — walking — that we already partake in daily. It’s a tech overlay for what can be everything from a mundane action to an important part of our weekly exercise.
“Pokémon Go” and its soon-to-end follow-up “Harry Potter: Wizards Unite” had similar ambitions — or at least Niantic’s marketing department liked to talk up their physical activity-inducing benefits. Yet “Pikmin Bloom,” despite still using what is by now relatively standard augmented reality techniques — open your camera and see a character nearby — feels to me more confident than both, especially in relation to the too complex, too plot-focused “Wizards Unite” (at the time of its releaseas it was weighed down in Potter lexicon).
“Pikmin Bloom” could have been more game-ified. I was nervous it would be. After all, the lesser-known Nintendo property it’s based on is a robust strategy game stealthily disguised in cuteness. On Nintendo consoles, the games gradually ramp up their difficulty as players direct Pikmin — plant-like creatures with water droplet bodies — to complete numerous tasks, deal with predators and figure out which color Pikmin is suited to the best errand. Another one of my favorite games of 2021,.
But blissfully, no prior knowledge is needed for “Pikmin Bloom,” in which we simply walk and plant virtual flowers, and occasionally send our Pikmin out on tasks in our neighborhood. Doing so can result in them bringing us back apples, lemons or seedlings that grow other Pikmin. They’ll often also snap some pictures on their virtual journeys, so we can see our Pikmin act as tourists in what for many players is probably an overly familiar setting.
Key to its success is that “Pikmin Bloom” focuses on the themes rather than the mechanics of its game console counterparts. The franchise, created by game design master Shigeru Miyamoto (“Super Mario Bros.,” “The Legend of Zelda”) is ultimately a celebration of nature. “Pikmin Bloom” in particular encourages players to see plants for the vibrant, living beings they are, and emphasizes teamwork, environments and natural elements.
There are no proper battles in “Pikmin Bloom,” and I am relieved and hope that never changes. I simply enjoying booting the game up to look at how my downtown streets — stained hourly with new layers of litter, grime and, more recently, a bounteous supply of rat poison — has been turned into a virtual arboretum. In this sense, “Pikmin Bloom” is more than a simple pedometer encouraging us to reach a daily step goal; it’s a reminder to continue to seek magic in our surroundings, regardless of our emotional state or their physical reality.
It’s also arriving at a time when most mainstream conversations surrounding technology have been exhausting. Bored of hearing about the metaverse yet?
Whether you answered “yes” or “I don’t know what the metaverse is,” that’s likely because no one, from Epic Games (“Fortnite”) to the recently Meta-rebranded Facebook, have been able to create a narrative as to how or why an evolving, persistent online world is going to better our lives. We’ve seen a lot of blanket statements that the virtual universe that is the metaverse is the result of our lives increasingly relying on tech and the internet, which, sure, true, but nothing that says how anyone plans to make this connected world smarter, healthier or more efficient than our current mess of a one.
“Fortnite” makes a valiant argument that the metaverse is going to be a boon for corporate brands, a world where Marvel, the NFL,and car manufacturers all get cozy with one another — commercials that double as an in-game experience. Meta’s marketing has been muddled, largely focusing on virtual reality and virtual conferences, items that only benefit the privileged, and that art museums are more impressive than Meta’s interpretation of them.
“Pikmin Bloom,” however, while sliding under the radar of most fall game releases, presents a stronger argument for how tech can harmoniously amplify our realities.
The metaverse is hard to define because it’s not one thing so much as an acknowledgment that our lives, too, are always on — that is, plugged into some piece of tech or a virtual world. I quite like “Pikmin Bloom’s” thesis that our future isn’t defined by the virtual worlds we disappear into so much as the combination of the real and the digital to enhance the one we live in.
I recognize that may be in part due to my current mind-set, where my emotional exhaustion is simply craving play and conversations in the real world rather than sliding deeper into screens, texts, DMs, emails, swipes, social media and any other poor substitute for actually connecting.
“Pikmin Bloom” isn’t extremely communal, but when we walk we can plant flowers with others who may be doing the same and see them appear as avatars on our screen. A small thing, but a reminder that we connected and are out of the house beautifying a digital representation of our world. I like to think that it’s an argument that tech can be beneficial — walking! exercise! — and that even our online selves are interested in self-improvement.
I haven’t spoken too much about “Pikmin Bloom’s” augmented reality attributes, but that’s largely because the tech here isn’t much advanced from “Pokémon Go.” Yes, it’s cute to take a pic of Pikmin under my Christmas tree, but they’re more like stickers implanted in my world rather than characters truly interacting with it. The real-world digital mapping that Niantic has been fine-tuning is far more impressive, and that’s why I found this step-counter so appealing.
At the end of each day, we’re asked to rank it on a scale from frowny face to smiley face. While mine is mostly frowny faces these days, my Pikmin are still excited by the sight of a lemon and eager to show me a picture they took in front of a Spring Street mural while out grabbing a green apple. Adding gamification techniques to a pedometer is not an original idea, per se, but sometimes we need a reminder that our world is full of wonder rather than a notification to simply stand up.
Now I find myself stopping wherever my Pikmin stopped and looking more closely at the local building or monument where they chose to snap a pic. This weekend after a trip to the farmers market I also found myself taking a moment to admire the fruit I bought and imagined its journey to my home. This game is awfully excited about apples, for instance, so I suddenly found myself more in tune with their colorization patterns.
Ultimately, what I found with “Pikmin Bloom” is the reminder that right now I don’t want a game to show me a new world; I want a game to rekindle my love for my own.